Laguna Santero (1776-1815) La Virgen Dolorosa, ca. 1790’s wood, gesso, natural pigments 38.25 x 19 inches Provenance: Private collection, Denver, CO hello W.S. Stallings named the Laguna Santero for the large altar screens painted by an anonymous Santero in the churches at Laguna and Acoma pueblos. These screens are the two most significant examples ...
Michael Goldberg (1924-2007) Untitled, 1958 Oil on paper mounted on canvas 15.5 x 22 inches 18.25 x 25 inches framed Provenance: Private collection, Milton, PA Michael Goldberg , a second generation Abstract Expressionist painter known for his action-packed, gestural canvases, went through several phases that included monochromatic works of red and then black, bands of ...
Helen (Barchilon) Redman (b. 1940) Lilli, 1964 Oil and collage on canvas 62 x 46 inches Signed (“Barchilon”), titled and dated verso Provenance: Estate of James and Marilynn Milmoe, Golden, CO Helen Redman, MFA, is an internationally exhibited figurative painter, mixed media artist, teacher, feminist commentator and grandmother, exploring personal identity, gender stereotypes, health issues, ...
Elmer Schooley (1916-2007)Silent Spruce, 1973Oil on canvas60 x 71.75 inches 60.75 x 72.5 inches framedProvenance: Duncan E and Elizabeth Boekman Estate, Santa Fe, NM Elmer Wayne “Skinny” Schooley (1916-2007) – painter, printmaker, and teacher – is described as a “painter’s painter” and is nationally recognized for his landscape paintings. His oils have been compared to those ...
John Stephan (1906-1995) The Pyramid Confronts The Sea, 1949 Oil on masonite 36 x 44 inches Signed and dated lower left Provenance: Estate of the Artist Exhibition History: “The Tiger’s Eye: The Art of a Magazine,” Yale University Art Gallery, January 29 – March 30 2002 Publication: “The Tiger’s Eye: The Art of a Magazine,” accompanying book to ...
Matthew Pendleton (1980)Lasting Imprint, 202322 x 30 inchesgraphite and Prismacolor® pencil on paper Matthew Pendleton’s work challenges judgement; a pencil in his hand becomes a sorcerer’s wand, conjuring a meditation on the first known manual of Japanese gardening, the Sakuteiki (“records of garden-making”) or a never-ending dream-time journal from the Kimberley region of western Australia. Compellingly ...
Herbert Bayer (1900-1985) Untitled (Linear Structure Series ), 1961/3 Liquitex on canvas 50 x 40 inches Signed and dated lower right Provenance: Estate of James and Marilynn Milmoe, Golden, CO hello Herbert Bayer was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and ...
John Stephan (1906-1995) The Pyramid Confronts The Sea, 1949 Oil on masonite36 x 44 inchesSigned and dated lower left Provenance:Estate of the Artist Exhibition History:“The Tiger’s Eye: The Art of a Magazine,” Yale University Art Gallery, January 29 – March 30 2002 Publication: “The Tiger’s Eye: The Art of a Magazine,” accompanying book to the above exhibition, Pamela Franks, Yale University ...
Roland Reiss (1929-2020) Untitled (Red With Cubes), ca. 1967 45 x 40 x 4 inches Resin on fiberglass Provenance: Estate of James and Marilynn Milmoe, Golden, CO Roland Reiss’ practice as an artist spanned Abstract Expressionism, the plastic arts, and representational painting. Best known for his dioramas of the 1970s and ’80s – Plexiglas-encased miniature ...
https://www.youtube.com/watch?v=0n-50dLj6QU Peyton Wright Gallery is pleased to present “The World Is My Oyster,” a second one-woman show of new paintings by Ati Maier. Commencing Friday, March 3, with an opening reception from 5 to 7 p.m., concurrent with a book signing of her “SpaceRider” catalog, the exhibition takes its title from the large-scale painting “Oyster ...