40" x 26"
Framed: 50" x 36"
Painting, Acrylic on paper on board
Signed and dated lower left
Mr. Bluhm's work is broad-stroked gestural painting that owes a debt to Abstract Expressionist pioneers like Willem de Kooning and Franz Kline, both of whom he knew. Later he developed a distinctive style that combined abstraction with figurative elements, painterly looseness with a delicate, near-calligraphic line.

About the Artist
(1921 - 1999)
Norman Bluhm was born in Chicago in 1921, and initially studied architecture at the Illinois Institute of Technology with Mies van der Rohe. He studied briefly in Florence before moving to Paris in 1947 to continue studies at the Ecole des Beaux-Arts. After serving in World War II, Bluhm lived in Paris and developed an interest in figurative painting. In the 1960s, Bluhm was exploring relationships between swirling, loosely applied forms and unexpected arrangements of color in abstract painting. He used large brushes, soaked with vibrantly hued paint, and treated his work surface with enthusiasm and energy. This method produced works that were orgiastic in their dramatic intensity—bold, organically applied pigment insouciant in its application and outlook.

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